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"The calm, open space of unknown future possibilities" Macklay's Dissolving Bands
The arresting and delightful orchestral essay Dissolving Bands by American composer Sky Macklay (winner of the top prize in the 2013 ASCAP Morton Gould Young Composers Awards) will receive its West Coast premiere at this concert. The curtain is raised by a suite of four very different marches from three centuries, by Mozart, Gossec, Bruckner, and (as a tribute to the namesake of the prize awarded to Ms. Macklay) Morton Gould. Following intermission, the Philharmonic turns to the powerful music of Jean Sibelius: his towering and granitic Symphony No. 5.
A Major U.S. Premiere: Gipps' Fifth
Beginning with our 2018 performance of her Symphony No. 2, the Philharmonic has been at the forefront of the revival of interest in the music of Ruth Gipps. Her final symphony, the Fifth, will simultaneously receive its U. S. premiere and its second-ever performance at this concert. We begin with the appropriately-titled Hullabaloo by Canadian composer Jocelyn Morlock, specifically intended as a rousing and lively program opener, and continue with incidental music that Felix Mendelssohn wrote for Jean Racine’s play Athalia. The orchestra then proudly presents the winner of the Philharmonic’s 2022 Don Bushell Competition, saxophonist Soren Hamm, in Jacques Ibert’s bubbly Concertino da Camera.
Music of the Americas
In yet another unique and adventurous program, the Philharmonic performs works by composers from five different countries of the American continent. Mexico’s José Pablo Moncayo, one of his country’s most revered composers, is represented by his festive Sinfonietta. Canadian composer Jean Coulthard’s Prayer for Elizabeth, written to commemorate the coronation of Queen Elizabeth II in 1953, is a heartfelt meditation in the manner of Barber’s Adagio for Strings. From Brazil, we sample the evocative music of Camargo Guarnieri, as one of the Philharmonic’s dearest friends, the dynamic pianist Sophie Lippert, performs his Piano Concerto No. 1. Following intermission, we turn to the hauntingly beautiful Mediodía en en Llano (Afternoon on the Plain) by Venezuela’s Antonio Estévez. The concert ends on U. S. soil with the Concerto for Orchestra by Morton Gould, a work that deftly combines classical, popular, and jazz elements (including a rip-roaring boogie-woogie finale!).
News, Video, Articles, and More
"In the startled ear of night..."
Oct 1, 2022
In this video, Music Director Adam Stern gives a delightful introduction to our opening concert of the 2022-2023 season!
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A Ruth Gipps Premiere
Apr 24, 2021
One of the hallmarks of the Seattle Philharmonic Orchestra is to perform pieces by composers that, for various reasons, never got the platform they deserved. Such is the case of Ruth Gipps. The Seattle Philharmonic performed the U.S. Premiere of her second symphony on March 31, 2018. The following excerpt is from the program notes […]
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"Serene Cheer and Warm Sunshine": Brahms' Second
Mar 1, 2021
The Philharmonic presents the third U.S. premiere of the season: Pyramid, a stirring tone poem by Sweden-based American composer Molly Kien (“a major new voice” — Fanfare Magazine). The winner of the Philharmonic’s 2019 Don Bushell Competition, the radiant soprano Allison Pohl, will be heard in a selection of lieder by Richard Strauss. Closing the […]
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