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For the Love of Music

Since 1944

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Un ritorno trionfante!

Returning from its enforced hiatus, the Philharmonic hits the ground running with a concert that characteristically blends the familiar, the different, and the new. Franz Joseph Haydn’s joyous Symphony No. 73 is a work of unceasing high spirits, capped by a boisterous finale that includes hunting fanfares in winds and brass. Bach’s beloved Concerto for Two Violins is here given in a new version for two violas, featuring the Philharmonic’s co-principal violists Amy Werner-Allen and Jon Epstein. Two unique and distinct voices in contemporary music will be presented: Dutch composer Caroline Berkenbosch is represented by the U. S. premiere of her intriguing Monument 16, and legendary cellist and conductor Frances Walton will be spotlighted as composer of Martin (Andante for Strings), a moving tribute to longtime Seattle-based violinist and educator Martin Friedmann. The program ends with Béla Bartók’s exhilarating Rumanian Folk Dances.

2pm

Benaroya Hall

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Our Commitment to Change

Like so many in our nation, the Seattle Philharmonic Orchestra has come to an increased awareness of the devastating toll racism takes on both individuals and society at large. The deaths of George Floyd, Breonna Taylor, Ahmaud Arbery, Manuel Ellis, John T. Williams, and too many others reminds us that racism in this country is literally deadly. It is time for us to take new, more effective steps to address violence, victimization, and injustice.

So we say out loud and with all our strength: BLACK LIVES MATTER. We are committed to continuing the critical work of eliminating the effects of racism as experienced by peoples of color within our community. We stand with everyone working to fight for racial justice for all people in our nation.

We vow to do our part to repair the damage done by institutional racism and discrimination toward people of color and all marginalized communities in the realm of classical music. We will joyfully explore voices that have been suppressed by bias. You will see this in our upcoming season and future seasons: moving and powerful works by women, people of color, and others who have been unjustly ignored and silenced within classical music. We also vow to improve inclusivity within our orchestra, our leadership, and our audiences.

We invite you to join us on this journey of discovery and change as we work together to achieve a more just community and society.

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Photograph by Jill Harvey

News, Video, Articles, and More

A Ruth Gipps Premiere

Apr 24, 2021

One of the hallmarks of the Seattle Philharmonic Orchestra is to perform pieces by composers that, for various reasons, never got the platform they deserved. Such is the case of Ruth Gipps. The Seattle Philharmonic performed the U.S. Premiere of her second symphony on March 31, 2018. The following excerpt is from the program notes […]

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"Serene Cheer and Warm Sunshine": Brahms' Second

Mar 1, 2021

The Philharmonic presents the third U.S. premiere of the season: Pyramid, a stirring tone poem by Sweden-based American composer Molly Kien (“a major new voice” — Fanfare Magazine). The winner of the Philharmonic’s 2019 Don Bushell Competition, the radiant soprano Allison Pohl, will be heard in a selection of lieder by Richard Strauss. Closing the […]

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Holst, The Planets, Voyager 2, and a few Informal Observations

May 25, 2015

We are past the mid-point of the rehearsal cycle for our upcoming season finale, the details being worked are getting smaller and more subtle, and we’re simply getting more and more excited to finally launch into this journey. The music we’ll be playing is tremendously exciting in itself—two pieces by Ralph Vaughan Williams and one […]

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Photograph by Jill Harvey

I always leave the performances enlightened by new music I have never heard. It is a friendly, laid back environment and a great way to spend a Saturday afternoon.

- Drew Y.

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