Adam Stern discusses the upcoming concert “Something might be made of that tune”: Elgar’s Enigma Variations: April 1, 2017
Music Director Adam Stern discusses the program of the Seattle Philharmonic's January 28, 2017 concert.
Music Director Adam Stern discusses the program of the Seattle Philharmonic's October 29, 2016 concert.
Photographer Paul Lebel's look at the Seattle Phil. Including interviews with Music Director Adam Stern and cellist Michael Moore.
Adam Stern discusses Seattle Phil's upcoming concert "An apocalyptic radiance": Mahler’s "Titan".
Evan Hjort, winner of the Seattle Philharmonic's 2015 Don Bushell Competition discusses Szymanowski's moving second violin concerto with Music Director Adam Stern.
Adam Stern discusses the program for our January 2016 concert Four Great Composer-Conductors, featuring music by Bernstein, Mendelssohn, Mozart and Dorati.
Members of the Seattle Phil discuss their first rehearsal and the All Tchaikovsky program of the October 24, 2015 concert.
Musical BFF's Ralph Vaughan Williams and Gustav Holst are united in an exciting season finale. Acknowledged as his first true masterpiece, Vaughan Williams' Fantasia on a Theme by Thomas Tallis is an homage to the English church music that the composer so deeply loved. Holst's The Planets, a work of stunning brilliance and immense imagination, never fails to move, intrigue and delight audiences. The concert also features a rare U.S. performance of Vaughan Williams' Piano Concerto.
In a concert focusing on the world of theater, Russian-born masters Dmitri Shostakovich and Igor Stravinsky remind us why their music is forever gripping and appealing. Shostakovich's score for the Russian film version of Hamlet is music of almost unbearable drama, and Stravinsky's ever-popular ballet Petrouchka is presented here in its original opulent scoring. SPO Don Bushell Competition winner Felicity James is featured in Saint-Saëns' lyrical Violin Concerto No. 3.
Three of the world's most expressive composers come together for an afternoon of soul-enriching music. Johann Sebastian Bach is represented by scores both sacred (Cantata No. 54) and secular (Keyboard Concerto No. 6 in F), Antonin Dvořák characteristically combines classical elegance with folk-inspired melodies and dance rhythms (Serenade in d), and Hector Berlioz thrills with his all-stops-out romanticism (Roman Carnival Overture, plus music from Romeo and Juliet and The Damnation of Faust).
Music Director Adam Stern discusses works by Copland, Herrmann, Morton Gould and his own World Premiere.
Adam Stern discusses the upcoming Phil concert with works by Beethoven, Tchaikovsky and Britten.
Denver/Seattle – January 30, 2014 – The Denver Philharmonic Orchestra (DPO) has teamed up with the Seattle Philharmonic Orchestra (SPO) to create the music video mashup, “Battle of the Batons: Super Bow I.” The mashup features an original arrangement of John Denver and Mike Taylor’s “Rocky Mountain High,” and Burt Bacharach and Hal David’s “Raindrops Keep Fallin’ on My Head.”
The work that finally brought well-deserved fame to Edward Elgar is one of the glories of English symphonic literature, a series of intimate musical portraits of Elgar's friends and loved ones. Elsa Barraine, a powerful voice in French music, is represented by her Symphony No. 2 in its West Coast premiere. Alena Hove, winner of the Philharmonic's 2016 Don Bushell Competition, shines in Erich Wolfgang Korngold's Violin Concerto, a work based in part on Korngold's delectable music for films. Two short works by Holst and Delius round out this distinctive program.
Benaroya Hall houses two performance halls in a complex that is thoroughly integrated into downtown Seattle. Occupying an entire city block at the very core of the city, the development celebrates the vital role of performance events while maintaining the continuity of commercial life along one avenue and providing a much-needed public space, in the form of a terraced garden, along another.
Symphony No. 2
Erich Wolfgang Korngold
Alena Hove, soloist (2016 Don Bushell Competition winner)
On Hearing the First Cuckoo in Spring