As a member owned orchestra, the Seattle Phil offers musicians a rare opportunity for participation within the organization. Being a musician for the Philharmonic is more than rehearsing and playing music, it is an entry into one of the longest running orchestra communities in the Puget Sound Region.
Formal Auditions are held each fall with Music Director Adam Stern, personnel director Dick Griffith, and selected section principals. The orchestra will hold immediate ad-hoc auditions for sections with more pressing needs.
The Seattle Philharmonic is a volunteer orchestra and positions in the orchestra are un-paid.
To request an audition, or for more information, please visit our contact form.
While Tchaikovsky is usually represented by his most popular pieces, there is much in his output that remains to be discovered and enjoyed by audiences. This concert features the overture to the opera Pique Dame, a suite from the incidental music for Alexander Ostrovsky's play The Snow Maiden, and the haunting Sérénade mélancolique featuring the Philharmonic's concertmaster, Jae-In Shin, as well as four of Tchaikovsky's most enduring works: the Waltz from the opera Eugene Onegin, the Marche slave, a transcription for string orchestra of the Andante cantabile from his String Quartet No. 1, and the powerful symphonic poem after Dante, Francesca da Rimini.
Benaroya Hall houses two performance halls in a complex that is thoroughly integrated into downtown Seattle. Occupying an entire city block at the very core of the city, the development celebrates the vital role of performance events while maintaining the continuity of commercial life along one avenue and providing a much-needed public space, in the form of a terraced garden, along another.
Eugene Onegin: Waltz
Pique Dame: Overture
Jae-In Shin, soloist
The Snow Maiden: Suite
Francesca da Rimini